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Lustre Ware from Kashan: C12th-C14th
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| Index: | ||||
| A. | Historical Introduction | |||
| B. | Second Ceramic Revolution: | |||
| B.1. | New developments | |||
| B.2. | Diaspora theories | |||
| B.3. | Survey of main types of Saljuq wares | |||
| a. | whitewares | |||
| b. | monochrome glazed wares | |||
| c. | "silhouette" wares | |||
| d. | underglaze painted wares | |||
| e. | overglaze painted wares (mina’i and lajvardina) | |||
| C. | Production Centres | |||
| D. | Kashan Lustre: | |||
| D.1. | Introduction | |||
| D.2. | The "Monumental" Style | |||
| D.3. | The "Miniature" Style | |||
| D.4. | The "Kashan" Style | |||
| D.5. | Tiles | |||
| a. | Pre-Mongol | |||
| b. | Il-Khanid | |||
| c. | The C14th | |||
| D.6. | Religious Iconography | |||
| E. | Evidence for workshops/ateliers | |||
| F. | Bibliography | |||
| G. | Study Guides | |||
| This section features LECTURE 3 (b): | 'Functions of Literary Epigraphy on Medieval Islamic Ceramics, Part 2: Poetry and Pottery in the Late Seljuk Period', by Oya Pancaroglu. | |||
| Thumbnails for this section | ||||
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