past
GENERAL
QUESTIONS
on ceramics
Dynasty/ Period/Region | Media | Question | Year | Paper |
Ceramics | Which is the better approach to early Islamic ceramics art history or archaeology? | 1995 | IV | |
General/ ceramics |
Have you ever come across any aspect of Islamic material culture where scientists have broadened our understanding? | 1995 | IV | |
Metalwork/ Ceramics | Analyse the relationship between early Islamic metalwork and ceramics. | 1994 | I | |
General/ ceramics | Discuss the evidence for the attitudes to figural representation in early Islam. | 1994 | I | |
Metalwork/ ceramics | How have recent developments in the scientific analysis of either Islamic ceramics or Islamic metalwork contributed to our understanding of the subject? | 1994 | IV | |
General/ ceramics |
An object without its context is worthless to the archaeologist: what value does it have to the art historian? | 1994 | IV | |
General/ ceramics |
How can ethnography and ethnoarchaeology contribute to our understanding of the production and trade of Islamic artefacts? | 1994 | IV | |
Ceramics | Discuss the possible origins and development of frit wares in the Islamic world prior to 1200 AD. | 1991 | REG | |
Ceramics | Underglaze blue-and-white revolutionized Islamic pottery in the 14th century. Discuss. | 1990 | MAG | |
Ceramics | Write short notes on the following
techniques as used in Islamic pottery: a) tin glaze b) frit c) lustre d) underglaze painting e) alkaline glazes f) champlévé |
1986 | M+C | |
General | Ceramics | How much did the development of Islamic ceramics owe to the influence of other art forms? | 1986 | M+C |
General | Ceramics | How true is it that the import of Islamic ceramics in an international context lies not so much in the development of lustre as in the use of a tin glaze? | 1986 | M+C |
General | Painting | How much do ceramics add to our knowledge of figural art in Islam? | 1986 | Min |
General | Ceramics | Write short notes on three of the
following techniques in Islamic pottery: a) tin glaze b) frit c) lustre d) champlévé e) underglaze painting f) slip-painting |
1984 | M+C |
General/ Chinese Influence | Ceramics | Tang, Liao, Sung, Yuan. Need one say more about Islamic ceramics? | 1984 | M+C |
General | Ceramics | The coarseness of Sgraffiato wares is offset by their variety. Discuss. | 1984 | M+C |
General | Metalwork | From precious to base. Discuss the inter-relationship of different media in the Islamic tradition, with particular reference to metalwork and ceramics. | 1984 | M+C |
Timurid/ Saljuq/ Mongol | Architecture/ Ceramics | EITHER: Trace the
development of tilework in Iran up to 1450 OR: What were the principal techniques of architectural decoration in Iran and Anatolia under the Saljuqs and Mongols? |
1981 | Arch |
C14th/C15th | Ceramics | Why are the C14th and C15th known as the interim period in Islamic ceramics? | 1981 | M+C |
General | Ceramics | Assess the impact of technique on the decoration of Islamic ceramics. | 1981 | M+C |
General/ Chinese influence | Ceramics | It was only Chinese influence that ever enabled Islamic pottery to rise above a peasant craft. Is this a fair assessment? | 1981 | M+C |
Ceramics | Trace the development of lustre decoration and lustre wares from their origins to the C18th. | 1979 | M+C |
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